Colour tab > Select Curve (this is where Capture One Pro keeps the Fujifilm simulations I typically use Provia as a starting point, but often switch to Velvia or Classic Chrome if I want more or less saturated images).If the image requires editing, I use this process in C1:.Filter by “Green” images and show JPEG and RAW (Fujifilm and Leica JPEGS are often excellent so it’s worth it to keep them alongside to see if any editing is required to begin with).For images that are grossly out of focus or are poor images, I use the “Red” colour flag (- key shortcut).Select the images I really like by giving it a “Green” colour flag (+ key shortcut).Turn on the “Focus Mask” to see if any images should be scrapped (I use this at a high level for totally out of focus shots).Import or drag-and-drop the images into the “Capture” folder in the session.Create a “Session” for the trip (I use a 2019 i7 MacBook Pro 13 with 16GB ram and 1TB SSD I would recommend this setup as a minimum if you’re working on 50MP+ files).The print turned out spectacular on paper and metal and is hanging in a number of homes and workplaces. X-Pro2 23mm ISO-800 1/1800sec f/4 – This started as two ETTR images that were edited in C1, then stacked in Affinity to reduce noise because I wanted to print it in a large format. I also regularly print photo books for my bigger trips. ![]() I regularly print photos in A3+ and A2 sizes. Photography is a hobby for me, and the main goal is to capture lifelong memories in images. I totally understand the need for a stable revenue and profit model to help manage cashflow. Businesses and their staff need to get paid and the value of their work does not have to be linked to the cost of producing that output. I have no issues with one-time licensing models or monthly subscription models. Adobe has been a mainstay for me for the past two decades. Pagemaker and Photoshop were game-changers for my work and I often used it in the workplace to convey information in a different way than typical PowerPoint presentations. I’ve been a huge Adobe fan for decades (and still am). With PhaseOne’s commitment to Fujifilm in their software, I want to give C1 a shot to see how it stacks up against the venerable LR. X-Pro2 59.6mm ISO-200 1/1sec f/6.4 – Used the masking and layers capability in C1 to selectively brighten the temple to give it some pop, while not disturbing the beautiful sunset colours. The workflow presented below will get you to 90% of the final image with just a few clicks, making this a fast and efficient workflow to use when travelling and going through hundreds or thousands of images.I have really enjoyed the RNI film simulation package I bought two years ago. If you’d like to add other colour profiles or “styles”, there are a number of options available online for free and for sale. ![]() Colour profiles for Fujifilm are now embedded in the software in the “Color” tab, and can be found under the rather unintuitive “Base Characteristics” panel and “Curve” drop down menu.Detail extraction is top-tier, matching or exceeding software such as Iridient Transformer and Lightroom (LR), and newcomers like ON1 and Alien Exposure.I’ve invested an enormous amount of time into learning C1 and I’m hoping that this post can save you some time in learning this fantastic software. This post is based on one that I wrote on the Fujifilm forum on DPReview that received a very positive reception and remains the most bookmarked as of 2020. Given the close partnership between PhaseOne, Fujifilm and Sony to offer Capture One (C1) software with their new cameras, I thought I can answer question two above, and also provide some tips that I’ve learned along the way. ![]()
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